Echoes in Water: The Surreal Portraits of Michal Zahornacký
Zoë Marin
Written by Zoë Marin in Beyond the Frame Creative Photography

Echoes in Water: The Surreal Portraits of Michal Zahornacký

In the work of Slovak artist Michal Zahornacký, the human visage becomes less a fixed identity and more a fluid vessel — one shaped by water, light, and movement. His photography doesn’t aim for clarity or perfection. Instead, it invites distortion, uncertainty, and a deeper sense of self. Zahornacký treats his camera not as a tool for capturing what is, but as a medium for suggesting what might be hidden beneath the surface of appearances.

Zahornacký describes himself as self-taught — a photographer who discovered in the interplay of water and lens a new language capable of bending reality itself. In his ongoing project CURVES, he abandons Photoshop and digital manipulation. Instead, he uses a custom glass tank and natural water to distort his subjects physically during exposure. Faces, bodies, silhouettes shift, melt, ripple — transforming into shapes that feel less human and more elemental. In doing so, Zahornacký challenges traditional ideals of beauty and identity, showing that identity can be as fluid, ambiguous, and changeable as water itself.

From the "Curves" series, by Michal Zahornacký
From the "Curves" series, by Michal Zahornacký
From the "Curves" series, by Michal Zahornacký
From the "Curves" series, by Michal Zahornacký

His broader catalogue moves gracefully between the concrete and the dreamlike. Whether through surreal portraits, stylized bodies painted or staged against minimal backdrops, or abstract distortions, he pushes the boundaries of how we define the human form. He works on that delicate border between reality and fiction, using light, shadow, and deliberate composition to evoke an emotional logic — one that connects viewer and subject through mystery, tension, and quiet poetry.

But what truly matters in Zahornacký’s vision isn’t the technique — it’s the invitation. Each image feels like a threshold: a buffer between certainty and question, between what we expect and what we allow ourselves to see. The ripples across a face aren’t an error to correct but a memory to linger on. The softened lines and distorted shapes become metaphors: for our inner struggles, our hidden selves, the parts of identity we rarely confront openly.

In a culture that often demands clarity and definition, Zahornacký gives us ambiguity. He doesn’t promise beauty as perfection; he offers beauty as fragility, fluidity, and transformation. His photographs whisper that identity isn’t static — it’s a continuum, shaped by time, memory, movement, and change. Under his lens, the body becomes a map of possibility rather than a fixed portrait.

If his work calls to you — draws you with its quiet distortions and painterly dreams — there is more waiting beyond these frames. Visit his official site and explore the full breadth of his vision. Go to michalzahornacky.com and let the water settle, the shapes shift, and your own reflections begin to emerge.

From the "Curves" series, by Michal Zahornacký
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