In the work of Slovak artist Michal Zahornacký, the human visage becomes less a fixed identity and more a fluid vessel — one shaped by water, light, and movement. His photography doesn’t aim for clarity or perfection. Instead, it invites distortion, uncertainty, and a deeper sense of self. Zahornacký treats his camera not as a tool for capturing what is, but as a medium for suggesting what might be hidden beneath the surface of appearances.
Zahornacký describes himself as self-taught — a photographer who discovered in the interplay of water and lens a new language capable of bending reality itself. In his ongoing project CURVES, he abandons Photoshop and digital manipulation. Instead, he uses a custom glass tank and natural water to distort his subjects physically during exposure. Faces, bodies, silhouettes shift, melt, ripple — transforming into shapes that feel less human and more elemental. In doing so, Zahornacký challenges traditional ideals of beauty and identity, showing that identity can be as fluid, ambiguous, and changeable as water itself.


