The Group of Seven: Painting Canada’s Wild Heart
Elliott Brooks
Writer by Elliott Brooks in Dimensions Art & Design

The Group of Seven: Painting Canada’s Wild Heart

If you’ve never experienced the work of The Group of Seven, let me tell you: it’s like walking into the wild soul of Canada itself. These artists weren’t just painting landscapes; they were celebrating them—capturing the raw, untamed beauty of the Canadian wilderness in a way that still makes your heart race. Their work is bold, dynamic, and unapologetically Canadian, bursting with energy and life. There’s a reason why their paintings still resonate today, even nearly a century after they first picked up their brushes and began to revolutionize the Canadian art scene.

In a way, The Group of Seven was about breaking free from the confines of what was considered “proper” art at the time. In the early 20th century, Canada was a young country, still finding its identity in the art world. The British-influenced academic styles were dominating, and most of the landscapes being painted were soft, romanticized versions of nature. But these seven artists—Tom Thomson (who was often associated with the group), Franklin Carmichael, Lawren Harris, A.Y. Jackson, Arthur Lismer, J.E.H. MacDonald, and Frederick Varley—wanted something different. They wanted to capture the essence of Canada’s wild terrain, in all its rough, elemental glory.

North Shore, Lake_Superior by Lawren Harris.

What’s remarkable about their work is how they didn’t just replicate nature—they interpreted it. Their landscapes are full of feeling, energy, and movement. They took the vastness of the Canadian landscape and made it feel personal, almost intimate. It wasn’t just about the trees or the mountains or the lakes; it was about how those elements made you feel. Every brushstroke, every layer of paint, seemed to vibrate with a deep connection to the land. The rough brushwork, the bold, saturated colors—it’s like they were trying to communicate the very heartbeat of Canada.

Lawren Harris’s North Shore, Lake Superior and A.Y. Jackson’s The Red Maple are two pieces that come to mind as perfect examples of this. In Harris’s work, you can feel the frozen coldness of the northern landscape, but there’s also a warmth that comes through in the way he uses light and color to highlight the ice and snow. It’s like he’s showing us the hidden beauty of the harsh environment, inviting us to see the wild, untamed land in a new way.

And let’s talk about the emotion in their work. When you look at a painting by the Group of Seven, there’s an overwhelming sense of freedom. Their landscapes seem to be about more than just capturing a scene—they’re about conveying an emotional connection to the land itself. It’s as if they were telling us, “This place isn’t just beautiful; it’s alive. It’s part of us.”

There’s also a sense of experimentation in their work. They weren’t afraid to push the boundaries of what art was supposed to look like. You see this in their use of color—blues and greens that are so vivid, they almost feel otherworldly. You see it in their brushstrokes, which are loose, expressive, and full of energy. And you see it in their compositions, which often seem to defy convention, breaking up the canvas with bold, sweeping lines or dramatic color contrasts.

The Red Maple by A. Y. Jackson.

For me, what makes The Group of Seven so exciting is how they’ve continued to inspire not just Canadian artists, but artists all over the world. Their work was all about pushing the limits of what art could be. They were creating, not just copying. They were responding to the land in a way that felt completely new, and in doing so, they made an indelible mark on the history of art.

Today, their legacy lives on in the way we understand Canadian identity through art. Their paintings still remind us that art is about more than just pretty pictures; it’s about connection. It’s about feeling. It’s about expressing something deep and universal. And when you look at a piece by the Group of Seven, you’re not just seeing a landscape—you’re feeling the pulse of the land itself.

The Group of Seven. Photo by Arthur Gross.
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