Weird Nightmare Finds the Sweet Spot on Hoopla
Nate Kline
Written by Nate Kline in Sonic Journeys Music

Weird Nightmare Finds the Sweet Spot on Hoopla

Last week, while writing about Kestrels’ Better Wonder, I mentioned Alex Edkins’ guest appearance on the track “Lilys.” That seemed like a good excuse to spend some time with Hoopla, the latest album from Edkins’ project, Weird Nightmare.

If you know him primarily through METZ, the shift can be surprising. Where that band built its reputation on noise, tension, and volume, Hoopla embraces melody with both arms, delivering a collection of power-pop songs that feel bright, immediate, and remarkably hard to shake.

Hooks first, everything else second

Released on May 1, 2026, Hoopla finds Edkins leaning fully into the kind of guitar-driven pop that values strong songwriting above all else. The influence of bands like Teenage Fanclub, The Replacements, and classic British Invasion groups is easy to hear, but the album never feels trapped by nostalgia.

Instead, it sounds like someone rediscovering the simple joy of a great hook.

Tracks such as “Headful of Rain,” “Might See You There,” and “Baby Don’t” move with a restless energy that keeps the record constantly in motion. Even when the arrangements become more layered, the songs remain focused on melody. That’s what makes them stick. The production, handled by Edkins alongside Jim Eno of Spoon, gives the album a bigger, more colorful sound than Weird Nightmare’s 2022 debut while still preserving the project’s rough-around-the-edges charm.

WeirdNightmare_COVER
More than a departure

What impressed me most is how naturally Edkins carries elements of his past work into this new setting. The abrasive edges of METZ haven’t disappeared completely; they’ve simply been redirected. Songs like “Little Strange” hint at that heavier side while still fitting comfortably alongside the album’s jangly guitars and sunny choruses.

The result is a record that feels both familiar and fresh.

A little over a month after its release, what stands out most is how effortless Hoopla feels. Not effortless to make, obviously, but effortless to enjoy. Every song seems to know exactly what it needs to do, whether it’s delivering a huge chorus, a jangly guitar line, or a melody that hangs around long after the record stops spinning.

Sometimes that’s enough.

And on Hoopla, it’s more than enough.

Header image by Colin Medley.

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