Illuminati Hotties – Power
Nate Kline
Written by Nate Kline in Sonic Journeys Music

Illuminati Hotties – Power

Sarah Tudzin has always been a producer’s producer, but on Power, her third album as Illuminati Hotties, she steps fully into her own — and the result is a disarmingly gentle, deeply human exploration of loss, love, and the strange space in between. Gone are some of the riot-grrl fire of her earlier work; in its place is a quieter confidence, a willingness to lean into vulnerability that feels like real growth.

Right from the opening on “Can’t Be Still,” Tudzin’s restlessness is on full display. She name-checks her ADHD, triple-booking every Saturday just to keep her brain busy, and the song crackles with tension: a melody that could be breezy, if only it weren’t tethered to this undercurrent of unease. It’s a fitting introduction to Power, which isn’t about loud declarations so much as subtle reckonings.

Across the record, her songwriting remains razor-sharp. She’s calling on collaborators like Cavetown (“Didn’t”) and Sadie Dupuis of Speedy Ortiz (“What’s the Fuzz”), but even with guest voices, Tudzin’s perspective never fades — she’s still the engine of every track. Whether she’s whispering on acoustic ballads or riding post-punk guitars, she’s always holding a space that feels both grounded and fleeting.

This album is deeply marked by grief: Power is her first one made after her mother’s death, and the way she weaves that absence through songs like “Rot” and the closing “Everything Changes” is quietly devastating. The production is delicate — cello here, muted drum machine there, never overdone — which only makes the emotional weight more vivid. On the title track, she sings, “I want to feel your power,” and you can feel her reaching for something just beyond her reach: memory, legacy, peace.

But alongside mourning, there’s love. In “Sleeping In,” she celebrates domestic intimacy: “you like sleeping in, so now I do too.” It’s a small, soft moment, but it speaks volumes to how much has changed in her life. The love she’s found doesn’t erase the loss; instead, it becomes another thread in her evolving story. That maturity — to carry contradiction, to let joy coexist with sadness — is Power’s real strength.

As some critics have noted, the album isn’t as structurally explosive as past Illuminati Hotties records. There are moments when things feel almost too smooth, too polished, like she’s deliberately holding back. But in that restraint lies a quiet bravery: Power isn’t about proof or defiance, but about presence. It’s about reckoning with grief without letting it define everything.

Listening to Power feels a lot like sitting at dawn in a quiet room, watching shadows move slowly across the wall. It’s thoughtful, fragile, and ready to heal — on its own time. Illuminati Hotties hasn’t lost her edge; she’s just sharpened a different one.

Photography at top of the page by Shervin Lainez.

Illuminati Hotties by Paul Hudson
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