Toronto’s indie-rock scene has a knack for birthing bands that think big — not just sonically, but visually and conceptually. Lost Pitch is one of those rare acts that refuse to color inside the lines. The four-piece — Erick Vidal, Leandro Motta, Ricardo Santos, and Alex Mine — blur the space between sound, story, and image, building worlds that feel equal parts dreamlike and lived-in. Their debut album Bumpy Ride, out October 24, is a full-throttle statement of intent: bold, unpredictable, and deeply cinematic.
If their 2024 EP Friends & Foes hinted at ambition, Bumpy Ride delivers it in widescreen. The record sounds like it was born from both a garage jam and a fever dream. You can feel the grit of real instruments, the intimacy of DIY recording, but also the scale of something grander — like an indie film that accidentally turned into a blockbuster. Mastered at Abbey Road Studios by Frank Arkwright (Oasis, The Smiths, Blur), it’s a record that somehow manages to be both polished and raw, grounded and surreal.

