Backstage Snacks and Gas Station Delights: Indie Music’s Culinary Roadmap
Lila Monroe
Written by Lila Monroe in From the Shelf Book Review Music

Backstage Snacks and Gas Station Delights: Indie Music’s Culinary Roadmap

The smell of microwaved taquitos and diesel. A backstage fridge stocked with hummus and six kinds of LaCroix. A sunrise breakfast at a 24-hour diner after playing to twenty-five people in a college town gymnasium. These are the flavors of the road—and the soul of Taste in Music: Eating on Tour with Indie Musicians, a love letter to the messy, intimate, oddly romantic relationship between music and food.

Written by Alex Bleeker (of Real Estate) and writer Luke Pyenson, the book collects anecdotes, recipes, and roadside memories from a sprawling constellation of indie artists like Weyes Blood, Japanese Breakfast, Animal Collective, Fleet Foxes, Frankie Cosmos, and more. Food weaves its way through the pages as a constant companion to the highs and lows of touring life; more than just meals, it’s part of the rhythm.

If that sounds like a dream dinner party lineup, it kind of is. Except everyone’s sitting on a cooler in the back of a van, passing around a Tupperware of leftover curry from last night’s local host. What emerges from these stories is a sense of community—how meals become the pause button on an otherwise relentless schedule, how food is a comfort, a connector, sometimes a creative act of its own.

The book is also filled with oddball nostalgia and lovingly specific details: Natalie Mering (Weyes Blood) reminiscing about hash browns and milkshakes in Midwest diners, or Panda Bear’s passion for Portuguese pastries. There’s a running theme of learning to appreciate the small things—like gas station snacks that hit just right at 3 a.m., or a really good espresso on an off day in Europe.

Feed your indie cravings — click the cover!

Visually, Taste in Music is a treat too. Designed with scrapbook flair, it includes snapshots from the road, hand-scrawled notes, and the kind of ephemera that feels pulled from a tour binder or a beat-up Moleskine. It’s got the tactile charm of something personal—like the liner notes of a favorite record.

And just like a great indie album, it’s less about polish than about heart. This isn’t a book of perfectly plated dishes or aspirational lifestyle branding. It’s about what real artists eat when they’re chasing dreams, sleeping on couches, and chasing soundchecks across time zones. It’s ramen and rapture. Vegan chili and van breakdowns.

Taste in Music carves out a niche that feels both fresh and familiar, giving food writing a lo-fi spin that indie fans will recognize instantly. It’s for anyone who’s ever followed a band across state lines—or just wondered what Angel Olsen might cook in a crockpot.

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