What gets me so excited about Refik’s work is the way he sees data—not as something sterile and abstract—but as a living, breathing entity that can be shaped, sculpted, and transformed into something visually stunning. He’s been able to take the raw, unfeeling information that we often associate with algorithms and turn it into something deeply emotional, dynamic, and human. His work feels like a bridge between the logical world of machines and the intuitive, abstract world of art.
One of his standout works, Machine Hallucinations, is a perfect example of this. In this project, Anadol uses machine learning algorithms to analyze vast amounts of images and data, creating an immersive, dream-like experience that explores the collective consciousness of humanity. It’s like taking a glimpse into a machine’s interpretation of the world—what happens when data begins to hallucinate, or when it starts to “dream”? The result is an ethereal, constantly evolving landscape of color and form that makes you feel like you’re wandering through a digital dreamscape.
What’s incredible about Anadol’s process is how he uses AI not as a replacement for human creativity, but as a tool to enhance and expand it. It’s like he’s creating a new kind of canvas, one made of data streams and algorithms, where the brushstrokes are powered by machine learning. He’s not trying to make the machine the artist; he’s making it a collaborator. It’s a relationship that’s rooted in curiosity and experimentation—two things that I think every artist can relate to.
If you haven’t yet experienced Refik Anadol’s immersive installations or his breathtaking projections, do yourself a favor and dive into his world. His art isn’t just something to look at—it’s something to feel. And in this digital age, that’s exactly what we need more of.