Lost Pitch’s Friends & Foes: Where Analog Warmth Meets Indie Innovation
Nate Kline
Writer by Nate Kline in Sonic Journeys Music

Lost Pitch’s Friends & Foes: Where Analog Warmth Meets Indie Innovation

Lost Pitch isn’t just another band out of Toronto—they’re the kind of group that forces you to re-evaluate what you think you know about indie rock in 2025. Their debut EP, Friends & Foes, doesn’t settle for easy categorization. Instead, it blends era-spanning influences with modern flair, creating a sonic footprint that’s as nostalgic as it is forward-thinking. The quartet—Erick Vidal, Leandro Motta, Ricardo Santos, and Alex Mine—have crafted something unique here. And if the name Lost Pitch hasn’t crossed your radar yet, trust me, it will.

The EP opens with “Do You Have Time?”, a track that has all the trappings of a timeless classic, while still feeling entirely fresh. Picture The Beatles’ melodic brilliance crossing paths with Oasis’s swagger, and you’re in the ballpark. The lyric “Do you have time to talk, even just for a bit?” sums up the song’s underlying theme: the constant noise of modern life and the desperate need for connection. That anthemic chorus? It’ll be stuck in your head for days.

The second track, “Not So Sure (Excalibur?),” shows off the band’s daring songwriting chops. What begins as a restrained, introspective tune about a young man striving for greatness grows into a full-blown crescendo, propelled by the kind of deep, resonating emotion you don’t hear too often in today’s oversaturated indie landscape. Add to that an animated video that’s already catching eyes at international film festivals, and you’ve got a track that’s not afraid to aim high.

Then there’s “Below Average,” where Lost Pitch taps into the same kind of intense energy and sonic experimentation that made Radiohead’s OK Computer a landmark album. The bassline is undeniable—raw, driving—and the harmonies shift between tension and release, keeping you on your toes. It’s a song that pulls you into a deeper, introspective space, making it easy to lose yourself in its layers.

And just when you think you’ve pinned them down, “Sunshine” shifts gears entirely. A beautiful folk-rock number with a breezy acoustic guitar and delicate vocals, it’s a nod to the genre’s roots while simultaneously breathing new life into it. With lyrics about love and the power it holds to guide us through life’s chaos, the track is simple but poignant—proof that Lost Pitch doesn’t need a lot of bells and whistles to make a lasting impact.

What stands out about Friends & Foes is its unapologetic embrace of analog warmth. The band’s decision to record on analog tape adds a richness and depth that’s palpable. It’s no accident that the EP was mastered at Abbey Road Studios by Frank Arkwright—this music was meant to be heard in its purest form, with every note, every harmonic nuance, hitting just right. It’s the kind of recording that feels tactile, inviting you to get lost in its sound.

Lost Pitch’s debut is a promising and accomplished offering, balancing experimentation with emotional depth. Their influences—ranging from The Beatles to Radiohead, from Oasis to Bob Dylan—are present, but they don’t lean too heavily on any one sound. This EP feels like a first step toward something even greater, and with songs like these, you can’t help but be excited about what’s next for the band.

“Friends & Foes” is a perfect introduction to a band that understands the power of both nostalgia and innovation. As they continue to carve out their own path, Lost Pitch’s ability to blend eras and styles into something uniquely their own will make them a force to watch in the indie scene. If Friends & Foes is just the beginning, the future looks incredibly bright for these guys.

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